If you buy that the passive voice is death
to persuasive writing (which was the point of that other
little piece), then I'd like you to consider that you pack
persuasive punch not with adjectives and adverbs, but with
verbs. You want your copy to capture, delight, motivate
and excite your visitors, don't you? You want your copy to
be the next best thing to a live person eloquently
speaking in their ears, right? Then let me introduce you
to the under-used, over-looked but infinitely versatile
verb.
The goal of your online endeavor is to
get your
visitors to take action. One of the cornerstones of your
site is your copy - all the words communicating not only
your message but the entire realm of possibility you
offer. Your copy works to persuade and fill the minds of
your visitors with images that make them eager for what
you offer. Your copy engages, compels and provides
momentum so your visitors move through your conversion
process to the close and beyond. But screen space is at a
premium, and good copy doesn't come cheap. Every word
costs you something, so you want to make the most of every
word you use.
My good friend, Professor Chris Maddock, from the
Wizard Academy offers the following comparison. The first
sample paints its picture with adjectives and adverbs (in
red), the second with verbs and verb forms (also in red).
Sample 1
I went
slowly
along the sandy
shore. The small,
cold
waves lazily
came on in long,
thin
fingers of white
foam. The sky was slate-gray
and blew a thin,
humid
wind reticently
toward the dark
beach. (36 words)
Sample 2
I crept
close to the shore. The waves limped
in and collapsed
in dying
fingers of foam. The sky brooded,
darkened,
then persuaded
the reticent wind toward the beach. (29 words)
Now read the two samples aloud. Listen to how your
voice sounds as you read them. Feel a difference?
Do you think one delivers more punch? I sure do! Sample 1
feels slow, dull and plodding … too many modifiers.
Sample 2 is crisper, more compelling, more exciting. Not
only do verbs and their associated forms (gerunds and
participles) generate motion, they also convey character:
creeping, limping, collapsing, dying … all create a
strong mental image and mood - mandatory for effective
copy. Sample 1 created its mood with ten adjectives and
three adverbs; Sample 2 used only two adjectives (and one
of those a verb form) and no adverbs, yet achieved a more
powerful result.
"The verb is the heartthrob of a sentence,"
says Karen Elizabeth Gordon in The Transitive Vampire,
while Strunk and White, in Elements of Style (I'm
told it's the Grammar Gospel) instruct, " Write with
nouns and verbs, not with adjectives and adverbs. The
adjective hasn't been built that can pull a weak or
inaccurate noun out of a tight place [yours truly adds the
same can be said of adverbs for verbs]. … it is nouns
and verbs that give to good writing its toughness and
character."
The cool thing about verbs is they can do so much for
you and take up less space doing it! Here are some ideas:
Mood
Verbs can help communicate meaning and quality in a
sentence without bogging down the language with
unnecessary modifiers.
I go
to the store.
I trudge
to the store.
In both sentences, I'll arrive at the same place (and
in the same number of words), but the second example gives
you a much better idea of how I'll get there and what mood
I'm in.
Verbs as Adjectives
Folks have grammar nightmares when someone mentions
participles, but a participle is nothing more than a verb
used as an adjective (a word that modifies a noun).
Vanquished
by his foe, the commander knelt on the ground. (vanquished
commander)
Dripping
with rain, the mouse scurried under a toadstool. (dripping
mouse)
The surrendered
document lay on the table. (surrendered document)
Verbs as Nouns
Ditto the nightmare stuff when it comes to gerunds, but
gerunds are just verbs with -ing endings that work
as nouns.
Giving
is better than receiving.
His fear is
losing
control.
She adores
listening
to bagpipes.
Verbs, in all their incarnations, breathe essence and
vitality into your writing. By their very nature, they are
action-oriented and quickly draw your reader into a
powerful mental universe of activity, sound and feeling.
They also pull your reader through the text. Verbs are
like seductresses with come-hither gestures! Use them
well, and your reader will stay hooked.
Want more colorful, engaging, concise, persuasive
copy? Then, the next time you go to your library of word
books, check out a good verb!
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Hey
Everyone,
Meet Jeff Eisenberg, CEO of Future
Now and a totally cool dude (and I am not
just saying that 'cause he signs my pay checks), on
10/29/2001 at the 84th
Annual DMA Conference & Exhibition. His
workshop will be "Top 25 Creative
Tactics for E-mail Marketing". I've seen what
he is presenting and all I can say is it is out
of this world.
The
GROK
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Picture This
My
loyal readers are going to think my brain has back-fired.
I'm usually going on about how ponderous downloads are
death to your web efforts and how, if you have to make a
choice between strong text versus snappy graphics, you
should opt in favor of quality text every time. Well, that’s
all true, but sometimes a picture literally is
worth a thousand words.
I've
been spending time lately comparing hard-copy catalog
product presentations to their online equivalents. At the
speeds most of your customers access the web, there’s no
way lush, multi-meg pictures are a viable option these
days. But for lots of products, the visual aspect helps
convert your prospect into a customer. So what's an e-tailer
to do?
There are
times when your visitors are willing to be more patient
when it comes to download times. That’s usually when
you've already captured their attention and brilliantly
demonstrated the value in sticking around to do business
with you. But let me say this up front: don't even think
of abusing their gifts of patience. Understand they are
only going to be patient for so long. Layer upon layer of
slow-loading graphics eventually will wear them out.
Online shopping is not catalog shopping. Your visitors
might browse catalogs in the privacy of their bathrooms,
but they are not going to while away the hours browsing
your site.
And one
more thing: using pictures doesn't mean you can ignore
your text. Pair great pictures with great text. Your
customers may have to wait a few seconds more for the
image, but they can at least start in on the description,
which helps them feel the wait isn't a waste of their
time. Actually, engaging them with great copy reduces
their awareness that the graphic is taking a while to
load, so they think your site is loading faster than it
really does!
Before
you think about a single image, though, make sure you have
been vigilant about employing the 5-step professional
sales process (see Do
the 5-Step...And Dance Your Way To Higher Sales!).
Pay attention to the critical elements of AIDAS (see Hey,
Its Music to MY Ears!), and be certain your site
offers a conversion process that sings with ease and
efficiency. Gorgeous images will never salvage an
inferior site or make up for weak or sloppy text.
(Almost)
always present the product image first as a thumbnail -a
small version of the image that loads quickly and that
your prospect can click on to bring up a larger version.
The larger version then either reconfigures their entire
screen or, even better, appears in a pop-up. Here's where
pop-ups do have an advantage: your visitors can view the
image while at the same time staying visually in touch
with the source page, which helps them remember where they
are in the navigation scheme. Thumbnails are especially
useful if you are presenting a series of product pages
that include multiple images (possible exception:
thumbnails are not necessarily a good thing to include on
search results pages - it depends on your product). In
general, thumbnails allow you to get product images to
your visitors much faster. They allow your visitors to
scan your offerings quickly and bypass slow downloads of
images for products that don’t interest them. Your
visitors can decide for themselves what they want to look
at more closely, and having done that, are naturally going
to be more patient as a larger image loads.
To get
a feel for who’s doing a good job using images on the
web, I shopped REI
for "footwear." REI has small product images
that load up super fast - actually, all their images
load up super fast - and give you a great idea of what a
particular shoe looks like from all angles. Okay,
it took me 4 clicks from the home page to get up close and
personal with a big product image, which is on the high
side, but I really wanted to see what the tread looked
like (humans tell me tread is a big deal when it comes to
sporting shoes), and REI made that possible for me, at my
option.
I was
also shopping for luggage not so long ago (you guys need
to learn about teleportation!) and encountered sites
offering pop-up windows that showed me all views of the
item. Cool, 'cause if I'm going to buy luggage on the
Internet, I want to get a feel for the size (just knowing
the dimensions usually doesn't help me), and I want to see
where ALL the pockets and zippers are. A few sites gave me
this information in pop-up animations, which were much
slower to download than pop-up static images. These far
exceeded my patience threshold without giving me any
appreciable added value. Seller beware: just 'cause
technology makes it possible doesn't mean you should do
it!
Print
catalogs are very good at also offering pictures of small
details. But lots of e-tailers don't bother with this.
Pity. How many times have you wanted to know the
texture of a fabric, or see a close-up of a button or
clasp? So many times product details can influence a
buying decision: grain, shine, stitching, hardware,
controls, relative size, and so forth. They deserve some
consideration. As in all things, think like your prospect
- and test with your prospects - to find out what you
should add and what you can ignore.
Sometimes
a big image on a product page does work wonders - but only
if you do it correctly. Choose a robust, powerful picture
that evokes lots of emotion. Lands
End and The
Sharper Image
prominently display a big image of a top-selling product
on their home page and other landing pages, mate it with
appealing text and also change the picture often, so
returning visitors experience the delight of variety. This
really helps their conversion rates! The technique works
best when you have a strong brand identity and/or really
motivated traffic.
When
not to bother with graphic gusto? Beyond wanting to avoid
making your prospect wait eons for the images to load, you
should avoid using images "just because." Your screen
real estate is a precious commodity. Make sure
everything you put on it earns its keep! If you're selling
something that’s a “visual commodity” (everybody
knows what they look like) you really don't have to go
overboard with the graphics. Ditto anything where the
visual aspect of the product isn’t a big driver in the
ultimate purchase decision. MAYBE a small visual, but
here's where compelling and comprehensive copy is likely
to be more than sufficient.
At the
end of the day, think about the value of any picture to
your prospects - think about what would be important
to YOU as a prospect. And think about the trade off
between image size and load time. Images can be
powerful elements in your conversion process, or they can
just bog it down or even stop it cold. Make sure you
use them intelligently, and only when they aid your goal
of communicating value to your visitors, value that helps
convert them from “just” visitors to paying customers!
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